Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Vilhelm Hammershoi
Interior with the Artists Easel

ID: 97263

Vilhelm Hammershoi Interior with the Artists Easel
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Vilhelm Hammershoi Interior with the Artists Easel


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Vilhelm Hammershoi

Danish Painter, 1864-1916, was a painter born in Copenhagen, Denmark known for his poetic, low-key portraits and interiors.The son of a well-to-do merchant, Christian Hammershoi and his wife, Frederikke (nee Rentzmann), Vilhelm studied drawing from the age of eight with Neils Christian Kierkegaard and Holger Gronvold, as well as painting with Vilhelm Kyhn, before embarking on studies with Frederik Vermehren and others at the Royal Danish Academy of Fine Arts. From 1883 to 1885, he studied with Peder Severin Kroyer.  Related Paintings of Vilhelm Hammershoi :. | Interior with Woman Reading a Letter,Strandgade 30,1899 | Interior with the Artists Easel | Bnder vender hjem fra marken med det sidste las korn | interior | landscape from lejre |
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Pier Francesco Mola
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.






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